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Titlebook: Choreographing Agonism; Politics, Strategies Goran Petrović-Lotina Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusi

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https://doi.org/10.1007/978-3-663-01188-0 They suggest that all reality is constructed in linguistic and extralinguistic terms: through languages, practices, and institutions. And, because it coincides with the theory of hegemony, every discursive configuration signifies a totality which entails symbolisation regulated by a dominant politi
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https://doi.org/10.1007/978-3-663-01188-0n leads to the introduction of tension as a guiding force in the creation of artistic performances. To develop my argument, I begin by observing performances by the Brussels-based, Norwegian choreographer and performer, Mette Edvardsen. In her trilogy, . (2011), . (2014), and . (2015), the play betw
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Zum Stellenwert von Frauenpolitikaudience. To envisage the interplay of affects and opinion formation, I begin with a critique of the philosophical theory of Gilles Deleuze and Félix Guattari which suggests a view of affects in autonomous, incorporeal, and immediate terms. Recalling philosopher Jacques Derrida’s theory of affect an
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Hans Krämer,Manfred Schüler,Dieter Weisffects and opinions. This approach provides a framework for the operation of identification among many dissimilar identities. Identification presupposes the articulation of many differential positions co-existing in tension in a form of collectivity of shared ethical and political values. To envisag
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Constructing the People,al background against which artistic practices come into being. Against the backdrop of the neoliberal political framework of first-world capitalism, this chapter focuses on the crisis of neoliberalism and the rise of populism in Western Europe. To observe the increasing demand for popular sovereign
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Discourse Theory and Artistic Performances, They suggest that all reality is constructed in linguistic and extralinguistic terms: through languages, practices, and institutions. And, because it coincides with the theory of hegemony, every discursive configuration signifies a totality which entails symbolisation regulated by a dominant politi
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