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Titlebook: Choosing the Better Part; Anna Maria van Schur Mirjam Baar,Machteld Löwensteyn,A. Agnes Sneller Book 1996 Kluwer Academic Publishers 1996 A

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0066-6610 nt languages, as well as in philosophy and theology,she corresponded with other learned men and women all over Europe. Sheachieved international renown for her own defence of scholarlyactivity of women. Life and work of this Dutch .femme savante. ofthe 17th Century has thus far been studied by theol
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https://doi.org/10.1007/978-3-476-05828-7here? Can we remove the veil? When we set out in search of the answers to these questions we soon find ourselves surrounded by a multiplicity of images in which scholarship, piety, femininity and virtue vie for the upper hand.
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Perspektiven für den Forschung-Praxis-Dialog. Upon closer scrutiny, however, the researcher is faced with a paradox. Van Schurman is regarded as one of the leading female scholars of her age, and yet we do not have a single scholarly work written by her.
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Perspektiven für den Forschung-Praxis-DialogSchurman’s decision to choose a new life with Jean de Labadie’s community appears to mark the definitive break with her earlier life of scholarship. It is this choice that she wants to define in her last work — the ‘account of the truth’..
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Anna Maria van Schurman,here? Can we remove the veil? When we set out in search of the answers to these questions we soon find ourselves surrounded by a multiplicity of images in which scholarship, piety, femininity and virtue vie for the upper hand.
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,‘An Exceptional Mind’,. Upon closer scrutiny, however, the researcher is faced with a paradox. Van Schurman is regarded as one of the leading female scholars of her age, and yet we do not have a single scholarly work written by her.
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,‘Now as for the Faint Rumours of Fame Attached to My Name…’,Schurman’s decision to choose a new life with Jean de Labadie’s community appears to mark the definitive break with her earlier life of scholarship. It is this choice that she wants to define in her last work — the ‘account of the truth’..
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Konsequenzen für weitere Forschungenhamyris, the daughter of the painter Micon, Irene, also an artist’s daughter, and Marcia, daughter of the Roman scholar Varro. Marcia was particularly praised for the figures she carved in ivory and, according to Boccaccio, she also painted a portrait of herself using a mirror..
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https://doi.org/10.1007/978-3-531-90603-4n essential aspect of Van Schurman’ s surviving poetic oeuvre in Dutch — limited though it is — and this raises the question of whether she considered Dutch as the appropriate language in which to express her religious conviction.
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