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Titlebook: China‘s Search for Modernity; Cultural Discourse i He Ping Book 2002 Palgrave Macmillan, a division of Macmillan Publishers Limited 2002 bi

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书目名称China‘s Search for Modernity
副标题Cultural Discourse i
编辑He Ping
视频videohttp://file.papertrans.cn/226/225714/225714.mp4
丛书名称St Antony‘s Series
图书封面Titlebook: China‘s Search for Modernity; Cultural Discourse i He Ping Book 2002 Palgrave Macmillan, a division of Macmillan Publishers Limited 2002 bi
描述Twenty years after a return from fundamentalism to economic reality, China has become the world‘s tenth largest economy and an increasingly important global power. Despite the rise of fundamentalism and post-modernism, the pursuit of modernity was an ongoing historical movement in late twentieth century China. He Ping focuses on China‘s quest for and experience of modernity. Implicitly comparative, the author discusses broad aspects of both Chinese and western civilizations, including their scientific traditions and socio-economic structures, with reference to modernization. He seeks to enhance our understanding of the cultural changes behind China‘s phenomenal rise and provides a fresh case study for the global cultural discourse.
出版日期Book 2002
关键词bibliography; China; culture; economy; Tradition
版次1
doihttps://doi.org/10.1057/9780230288560
isbn_ebook978-0-230-28856-0Series ISSN 2633-5964 Series E-ISSN 2633-5972
issn_series 2633-5964
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2002
The information of publication is updating

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Ray Axis-Aligned Bounding Box Intersectiont in historical terms, setting Europe’s recent ascendancy against the ancient backwardness of non-Europe. Western capitalism first spread into China in the form of imperialism and colonialism. Although the Chinese elite quickly recognized the enormous productive capacity and military power that capi
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Introduction to Vulkan Ray Tracingf culture provided an alternative approach in social analysis, which meant that the dilemma the superstructure-basis model created in explaining the continuing ‘slow’ pace of the modernization of China could be overcome. The implications of this new concept were fully displayed in the late 1980s whe
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Raya Dunayevskaya’s Emancipatory Marxismt. This is partly owing to the specific problems and historical conditions it has faced, as well as to the understanding of the central term ‘modernity’. The road to modernity has nevertheless brought about significant, if not revolutionary, social, cultural and economic transformations in China. Tw
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