Titlebook: Chaucerian Aesthetics; Peggy A. Knapp Book 2008 Palgrave Macmillan, a division of Nature America Inc. 2008 aesthetics.Chaucer.language.Med

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书目名称Chaucerian Aesthetics影响因子(影响力)




书目名称Chaucerian Aesthetics影响因子(影响力)学科排名




书目名称Chaucerian Aesthetics网络公开度




书目名称Chaucerian Aesthetics网络公开度学科排名




书目名称Chaucerian Aesthetics被引频次




书目名称Chaucerian Aesthetics被引频次学科排名




书目名称Chaucerian Aesthetics年度引用




书目名称Chaucerian Aesthetics年度引用学科排名




书目名称Chaucerian Aesthetics读者反馈




书目名称Chaucerian Aesthetics读者反馈学科排名

FISC

Book 2008ugh aesthetic reflection has sometimes seemed out of sync with modern approaches to mind and language, Knapp defends its value in general and demonstrates its importance for the analysis of Chaucer s narrative art. Focusing on language games, persons, women, humor, and community, this book ponders what makes art beautiful.

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不容置疑

蛛丝

Book 2008ent, sometimes divergent perspectives illuminate both the immediate pleasure of encountering beauty and its haunting promise of intelligibility. Although aesthetic reflection has sometimes seemed out of sync with modern approaches to mind and language, Knapp defends its value in general and demonstr

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2945-5936 mes congruent, sometimes divergent perspectives illuminate both the immediate pleasure of encountering beauty and its haunting promise of intelligibility. Although aesthetic reflection has sometimes seemed out of sync with modern approaches to mind and language, Knapp defends its value in general an

弓箭

The New Middle Ageshttp://image.papertrans.cn/c/image/224188.jpg

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https://doi.org/10.1007/978-1-4302-0154-0t introduced until Alexander Baumgarten’s . in 1750, nor made central to European thinking until Hume, Kant, Schiller, and Hegel took it up.. People who would not quibble with using the word . as an analytic category bearing on issues earlier than . appearance as a term in the eighteenth century, or

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