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Titlebook: Charles Lamb, Coleridge and Wordsworth; Reading Friendship i Felicity James Book 2008 Palgrave Macmillan, a division of Macmillan Publisher

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楼主: commotion
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https://doi.org/10.1007/978-3-540-49618-2Early June 1797: a cold wet summer illuminated by one famous meeting, crucial to our construction of Romanticism. A young man is running along a Dorset road. Suddenly, his end in view, he leaps ‘over a gate’ and, taking a short cut, he bounds ‘down the pathless field’.. Coleridge has arrived at Racedown. The . has begun.
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Ramón Ribes,Isabel García-Gimeno,Roger JonesSpring 1798. Two deserted houses. Wordsworth’s ., begun in spring 1797 and extensively revised in 1798, invites us to enter the ‘four naked walls’ of a house which is ‘ruined’, ‘reft’, offering the traveller only.
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‘Cold, Cold, Cold’: Loneliness and ReproachEarly June 1797: a cold wet summer illuminated by one famous meeting, crucial to our construction of Romanticism. A young man is running along a Dorset road. Suddenly, his end in view, he leaps ‘over a gate’ and, taking a short cut, he bounds ‘down the pathless field’.. Coleridge has arrived at Racedown. The . has begun.
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A Text of Friendship: Spring 1798. Two deserted houses. Wordsworth’s ., begun in spring 1797 and extensively revised in 1798, invites us to enter the ‘four naked walls’ of a house which is ‘ruined’, ‘reft’, offering the traveller only.
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Book 2008This book makes the case for a re-placing of Lamb as reader, writer and friend in the midst of the lively political and literary scene of the 1790s. Reading his little-known early works alongside others by the likes of Coleridge and Wordsworth, it allows a revealing insight into the creative dynamics of early Romanticism.
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https://doi.org/10.1057/9780230583269Coleridge; Romanticism; Samuel Taylor Coleridge; William Wordsworth; Wordsworth; British and Irish Litera
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978-1-349-36076-5Palgrave Macmillan, a division of Macmillan Publishers Limited 2008
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Introduction: Placing Lambig politicians, while William Godwin, a little donkey, and Thomas Holcroft, a snapping crocodile, scamper around. Before him, like Swift’s image of the tub thrown to a whale, is a cornucopia of seditious literature. Pouring out come pamphlets and Whig newspapers — Mary Wollstonecraft’s . the . the .
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The ‘Day of Horrors’e years’ probationary period, and had brought home no salary until April 1795. His wages had to be supplemented by Mary’s work in a profession beset by social and financial insecurities, and in which Mary’s position was, in any case, tenuous.. Mary was also caring for her invalid parents, including
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