Titlebook: Celtic Myth in Contemporary Children’s Fantasy; Idealization, Identi Dimitra Fimi Book 2017 The Editor(s) (if applicable) and The Author(s)

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Otherworldly Ireland: Pat O’Shea’s The Hounds of the Mórrígan and Kate Thompson’s The New Policemanter cycles of medieval Irish literature. Pat O’Shea’s . (1985) and Kate Thompson’s . (2005) follow the tropes of “high” fantasy in constructing a secondary world. These respective worlds, however, are soon identified as “mythical” versions of Ireland itself, populated by its legendary gods and heroe

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Celticity and the Irish Diaspora: Rewriting Finn mac Cumhall and Cúchulain for American Youngstersature American children of the Irish diaspora. In Tannen’s novels the children time-travel to mythical Ireland, relive the legends of the Fenian cycle, and inadvertently discover the close family bonds they share with this ancient and magical world. In ., the teenage protagonist also discovers that

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Conclusion: Celticity and “Celtic” Heritageve adaptations of “Celtic” myth and evaluating their contribution to Celticism. These common themes and concerns revolve around perceptions of Celticity, especially the (re)definition of the “Celts,” “Celtic” history, and “Celtic” mythology; the “Celtic” past as national/cultural heritage; and stere

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