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Titlebook: Celebrity Authorship and Afterlives in English and American Literature; Gaston Franssen,Rick Honings Book 2016 The Editor(s) (if applicabl

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Leucite- and Feldspar-Bearing Systems,authenticity. Special attention is paid to Smith’s second novel, . (2002), as it deals explicitly with fame, stardom and fandom. Smith’s essays, too, illustrate the author’s inventive play intertwining authenticity, style and an autobiographical voice, as she seeks to reconcile her star status with her cultural authority as an author.
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Christy Angeline Rajan,Rupashree BaralIntroduction conceptualizes literary celebrity as a discursive construction with several variables, such as the author’s self-presentation, the circulation of his public identity, changing opinions on literature and writership and the public afterlife of the author’s image.
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B. K. Sinha,N. K. Mandal,Manisha Pal,P. Dasinfluenced by, their subject’s cultural iconicity. The approach shows that resurrections of the author are both expressions of, and revisionist commentaries on, the impact of his work and thus contribute to the posthumous reputation of their subject.
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Introduction: Starring the Author,Introduction conceptualizes literary celebrity as a discursive construction with several variables, such as the author’s self-presentation, the circulation of his public identity, changing opinions on literature and writership and the public afterlife of the author’s image.
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,Hero of Horror: Edgar Allan Poe (1809–1849),r afterlife is the result of a carefully thought-out branding of Poe’s identity by his biographers and a commercial culture industry that carefully appropriated and amalgamated his life story and his horror tales, framing Poe as the perfect poster-boy for the genre.
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,Victorian Iconoclast: Eliza Cook (1812–1889),an press appropriated her poetry and her persona. It also explores how changing conceptions of women’s celebrity at mid-century led to Cook’s marginalization within the emerging canon of ‘great’ women authors.
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