Titlebook: Can Religion be Explained Away?; D. Z. Phillips (Professor of Philosophy, Danforth Book 1996 Palgrave Macmillan, a division of Macmillan

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Psychoanalysis as Ultimate Explanatione he studies, posits states and activities of things that no one can perceive to explain sensible events and processes or conscious thoughts and feelings. Both thus follow the same form of abductive argument in reaching their theoretical conclusions. Both follow the same pattern of scientific theori

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Immortality without Metaphysics: A Reply to D.Z. Phillipsiled to provide — a plausible discursive exposition of religious beliefs about the soul, and in particular of the belief that the soul is immortal, which is sensitive to the natural habitat of the words used to express these beliefs, and which avoids the confusions he detects in philosophical treatm

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Is Animism Alive and Well? subjects of feeling or consciousness, or display intelligence, in ways that ensouled human beings do. This extended view is sometimes called animatism or panpsychism, in order to distinguish it from the more restricted view, though in common usage ‘animism’ seems typically to embrace the broader vi

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Is Religion a Product of Wishful Thinking? that situation. … In religion man recognizes his helplessness, his dependence, and he seeks to overcome it by calling in the aid of the imagination. Sacrifice and prayer thus stand at the very centre of religion and reveal to us its essential character and aim … ‘the prayer pregnant with sorrow, th

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Psychoanalysis as Ultimate Explanationy the work of unseeable atomic particles of matter whirling about and colliding with each other in the void. Similarly, psychoanalysis offers ultimate explanations of human conduct and the conscious thoughts and feelings it manifests. It holds that such conduct, thought and feeling are the work of t

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Senses of Itself: A Theistic Reading of Modernityrint which the former outlines and attempts to justify, but the blueprint can be assessed independently of its narrative realization, and the narrative can be comprehended without grasping its conceptual architecture. . is thus written for two distinct audiences; however, many of its readers are mem

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