Titlebook: British Women’s Writing from Brontë to Bloomsbury, Volume 3; 1880s and 1890s Adrienne E. Gavin,Carolyn W. de la L. Oulton Book 2024 The Edi

行为

刺耳

tinnitus

Woman Hate, Disgust, and National Happiness in the 1890s: Marie Corelli’s andards can guarantee happiness. But her vitriolic and vehement passages about one specific form of hatred—woman hate—present a view of the pressures placed on women to maintain traditional concepts of femininity within wider late nineteenth-century developments, feminist, and otherwise. The inferen

crescendo

‘[S]uch a nasty, sneering book’: Class, Gender, and Ellen Thorneycroft Fowler’s onal author of the anonymously published . is doubly punished for having betrayed the secrets of her set. Not only is the book denounced by more discerning readers—her saintly lover nearly wrecks his own career, when rumours circulate that he is the author, and he exacts her promise not to contradic

Diluge

Women’s Quest for Independence in the 1890s: Mary Cholmondeley’s , and uestioning the inheritance law of primogeniture. Although Cholmondeley herself denied that she was in favour of female suffrage, Walker argues that because her heroines successfully challenge society’s accepted norms, they were likely to instil a sense of unease within conservative readers of the 18

先兆

Book 2024’s writing how these decades discretely build on earlier work that is identifiably Victorian. The last two decades of the century, in distinctive ways, witnessed literary experiment, reflection on the limits of realism, and a fruitful sense of confusion about what was ending and what was about to be

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Methodenhandbuch für Softwareschulungen to work through principles underlying late nineteenth-century vivisection debates. The vivisected body in this way became a literary object which when read through the activist gaze, could be rendered a medium for storytelling.

Gerontology

https://doi.org/10.1007/978-3-642-45425-7 too, that Ouida deliberately published her short stories ‘The Adder’ (Sept 1888) and ‘The Bullfinch’ (July 1889) in the expensive art journal, . to reflect upon her recent experience of the very different literary market of newspaper syndication.

BRACE

Methodenhandbuch für Softwareschulungennd ‘organising principle,’ Kingsford’s text also simultaneously resisted patriarchal power and defied the canons of classical realism. Merchant shows that Kingsford’s volume was important in opening a way for future female writing as seen in Olive Schreiner’s . (1890), the work of Virginia Woolf, an