Titlebook: Bollywood Film Traffic; A History of Hindi F Némésis Srour Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive licen

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1985, Amitabh Bachchan’s , in Cairo: Embodying a Transnational Masculinity convergence of Indian and Egyptian audiences and the embodiment of transnational masculinity in Bollywood cinema. Despite strict regulations on foreign film exhibition, . enjoyed a long run in Egypt, attesting to Bachchan’s enduring popularity. His embodiment of the “angry young man” archetype reso

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Shifting Spaces: From Public Cinema Halls to the Privacy of Homesough VHS circuits and broadcasting channels. Despite political challenges such as Egypt’s ban on Indian films and the devastation of the Civil War in Lebanon, Bollywood maintained its presence in the region by adapting to new distribution platforms..The emergence of dedicated channels like Zee Aflam

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Manchersha B. Bilimoria, Defining the Contours of the Indian Foreign Film Marketnd insights, the chapter provides a nuanced portrait of Bilimoria as an advocate for the development of overseas markets and sheds light on his unique perspective on the Middle East market. It also critiques the government and film industry’s failure to capitalize on international opportunities, as perceived by Bilimoria.

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FOURIER-Transformation mit der DFT, of . in 1954, it uncovers the exotic motifs shaping film reception. Beyond print media reception, the chapter delves into the movie theater ecosystem, offering insights into the distribution and exhibition circuits of Egypt and their role in shaping the presence of Hindi cinema in the Egyptian cinematic landscape of the 1950s.

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Studienbücher WirtschaftsmathematikArabian Nights, offering a nuanced and realist portrayal of Egypt that contrasts with Oriental film fantasies. Additionally, the chapter highlights how Cairo in . embodies a form of familiar exoticism unique to Bombay cinema, diverging from Hollywood’s orientalism.

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https://doi.org/10.1007/978-3-642-81938-4acilitating seamless exchanges with local film agents and adherence to linguistic preferences. By adapting subtitles to colloquial languages prevalent in each Middle Eastern territory, the Jumanis navigated complex linguistic landscapes, enhancing the accessibility and appeal of Indian films across the Middle East.

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