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Titlebook: Black Iconoclasm; Public Symbols, Raci Charles Athanasopoulos Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive li

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发表于 2025-3-21 18:40:37 | 显示全部楼层 |阅读模式
期刊全称Black Iconoclasm
期刊简称Public Symbols, Raci
影响因子2023Charles Athanasopoulos
视频video
发行地址Studies public symbols of racial progress in the era of Black Lives Matter.Grounded in Black feminist theory, develops a theory of Black iconoclasm to describe Black radical imaginaries.Uses innovativ
图书封面Titlebook: Black Iconoclasm; Public Symbols, Raci Charles Athanasopoulos Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive li
影响因子.In the decade since the 2014 Ferguson Uprising, re-intensified conversations about racial progress continue to be at the forefront of American culture. The moniker. Black Lives Matter., for example, emerged as a rallying cry of Black-led mass rebellions calling into question the rigid Western social codes of race, gender, class, and sexuality. These values emerge through iconography: those social codes reflected by a corresponding rolodex of public symbols (whether positive or negative) in American culture.. Black Lives Matter. fractured icons such as the first Black president, the innocent police officer, and the charismatic Black male activist opening space for new theories and practices of Black radical disruption. At the same time, groups such as #BLM10, BLM Grassroots, and Mass Action for Black Liberation criticize the Black Lives Matter Global Network as having transformed into a new icon of racial progress, demonstrating that the meaning of Black liberation remains hotly contested. How do we discern Black radical thought and activism from the co-options of Western Man? Are we doomed to repeat a cycle of destroying a few icons only to inevitably produce new ones? In .Black I
Pindex Book 2024
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发表于 2025-3-21 21:31:08 | 显示全部楼层
发表于 2025-3-22 03:10:25 | 显示全部楼层
On Fanonian Slipsation is unique requiring attention to context and contingency balanced with an understanding of the imposed cultural domain of the white mask. Here, Black iconoclasm manifests as a critical practice that can be taken up within the flow of lived experience and culture.
发表于 2025-3-22 05:04:54 | 显示全部楼层
发表于 2025-3-22 09:53:18 | 显示全部楼层
Prologue: Twilight of the Icons,rn Man’s social codes of race, gender, class, and sexuality. Engaging the nexus point of the Black radical tradition and contemporary iconoclasm studies, I ask: How do we discern Black radical thought and activism from the co-options of Western Man? Are we doomed to repeat a cycle of destroying a fe
发表于 2025-3-22 15:43:21 | 显示全部楼层
In the Embers of Black Critique: Dismantling the Icon of Black Lives MatterM) evolution into the Black Lives Matter Global Network (BLMGN) by focusing on emerging critiques from the BLM10, Mass Action for Black Liberation (MABL), and BLM Grassroots. While many have offered wholesale rejections of BLM and/or uncritical celebrations which iconize BLMGN and its co-founders, a
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发表于 2025-3-22 23:04:32 | 显示全部楼层
On Fanonian Slipsemonstrating the operation of racial icons on the level of the interpersonal, political, and internal. The chapter also moves beyond Fanon by further engaging Hortense Spillers’ call for a new “psychoanalytic culture criticism” and digging into Fanon’s owns slippages in relation to his theorizing of
发表于 2025-3-23 02:46:02 | 显示全部楼层
Iconoclastic Readings: Anti/Blackness in Post/Ferguson American Cinemag genre of post/Ferguson American cinema: . (2020), . (2021), and the two-film . (2018, 2022) universe. The inter(con)textual connections between these films highlight how they each contain residues of racial icons and Black radical excess in how they imagine Black liberation. In doing so, I show ho
发表于 2025-3-23 07:20:09 | 显示全部楼层
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