Titlebook: Byronic Heroes in Nineteenth-Century Women’s Writing and Screen Adaptation; Sarah Wootton Book 2016 The Editor(s) (if applicable) and The

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The Indispensability of Memory-Knowledge, differs from the typical Victorian response in its intensity and complexity: finding more reasons for criticizing the Romantics than do other Victorians, she also finds more ways in which the Romantics are appealing’.. The ‘intensity and complexity’ of Eliot’s divided response to Romanticism is bes

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Book 2016non. This book examines the afterlives of the Byronic hero through the work of nineteenth-century women writers and screen adaptations of their fiction. It is a timely reassessment of Byron‘s enduring legacy during the nineteenth century and beyond, focusing on the charged and unstable literary dial

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,Jane Austen’s Byronic Heroes I: , and , inclusion of Austen in this book may seem misplaced. Yet, despite the seeming incompatibility of Austen and Byron, authors and critics have commented on this unlikely couple if only to emphasise differences in the scope and style of their work and in their respective life experiences. As Rachel Bro

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,Elizabeth Gaskell’s Byronic Heroes: , and ,, to the reception of this figure in the Victorian fiction of Elizabeth Gaskell and George Eliot. The focus on these authors, and adaptations of their work, may be as surprising as the previous focus on Austen, and yet it is equally revealing. Establishing previously neglected connections between th