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Titlebook: Byron and the Eye of Appetite; Mark Storey Book 1986 Mark Storey 1986 eye.literature.poetics.poetry

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Monika Smialkowska,Edmund G. C. KingOne of the central antitheses of . is stated at the beginning of canto XV.
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Overview: 978-1-349-18354-8978-1-349-18352-4
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https://doi.org/10.1007/978-3-030-84013-6the formal peculiarities, though, I would want to argue that these reflect Byron’s thematic obsessions, obsessions that he addresses in different ways in his major satires and which are there throughout his writing life. In spite of his own teasingly nonchalant remarks, there is every reason for taking these poems seriously.
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,The ‘Fever at the Core’: The Poetry of Passion,the formal peculiarities, though, I would want to argue that these reflect Byron’s thematic obsessions, obsessions that he addresses in different ways in his major satires and which are there throughout his writing life. In spite of his own teasingly nonchalant remarks, there is every reason for taking these poems seriously.
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https://doi.org/10.1007/978-3-030-84013-6 on this juxtaposition and eventual intermingling of feelings, and ideas about feelings. Towards the end of the canto, when Dudù has finally been settled after her Tond hallucination’, Byron turns his attention towards Gulbeyaz:
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Edmund G. C. King,Monika Smialkowskaxploration of how such things can be captured in art. Amongst all its other ambitions, this poem wants to pronounce on the vexatious connections between art and life. It would indeed be some relief if we had begun to hear the last of discussions of . in terms, simply, of ‘romantic travelogue’.
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,‘The Fitting Medium of Desire’: Childe Harold (ii),xploration of how such things can be captured in art. Amongst all its other ambitions, this poem wants to pronounce on the vexatious connections between art and life. It would indeed be some relief if we had begun to hear the last of discussions of . in terms, simply, of ‘romantic travelogue’.
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