Titlebook: Byron And Tragedy; Martyn Corbett Book 1988 Palgrave Macmillan, a division of Macmillan Publishers Limited 1988 Britain.history of literat

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E. W. Beth,Jean-Louis DestouchesAlthough the idea of writing a tragedy on the downfall of the fourteenth-century Doge, Marino Faliero, came to Byron in February 1817, whilst he was still writing ., it was not until he settled in Ravenna, nearly three years afterwards, that the tragedy was written.

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Introduction,dramas have been misunderstood and understudied, the nature of Byron’s art has been misrepresented. The tragic vision he propounds in the dramas, and particularly in that remarkable series of related tragedies which he wrote in Ravenna, is at the centre of his thought. Its bleak pessimism, balanced

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Switzerland,ent that summer, had by then returned to England and Byron was preparing to leave Geneva for Italy. He was accompanied on his tour by Hobhouse and kept a short journal of his experiences, intended for presentation to his half-sister, Augusta Leigh. This journal he claimed, contained ‘the germs’ of .

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Pisa, he later told Murray, ‘Lady Byron’s farce put it out of my head’ (BLJ 8 237). This fragment was left among his papers when he quitted England and it seemed to have passed out of his consciousness until the autumn of 1821. On the point of leaving Ravenna for Pisa, he wrote to Hobhouse (ibid., 224),

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Introduction,termined by hostile forces, transcendental or mundane, which cannot be resisted, but must constantly be defied; its presentation of the corrosiveness and oppressiveness of human institutions — the state, the tribe, the family — which imprison the human spirit though operated by decent men, loving fa

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