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Titlebook: Burial Plots in British Detective Fiction; Lisa Hopkins Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license

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发表于 2025-3-21 17:50:23 | 显示全部楼层 |阅读模式
期刊全称Burial Plots in British Detective Fiction
影响因子2023Lisa Hopkins
视频video
发行地址Examines understudied writers of British crime fiction.Further studies the influence of drama on crime fiction by identifying allusions to non-Shakespearean early modern plays.Considers diverse aspect
学科分类Crime Files
图书封面Titlebook: Burial Plots in British Detective Fiction;  Lisa Hopkins Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license
影响因子.Burial Plots in British Detective Fiction. offers an overview of the ways in which the past is brought back to the surface and influences the present in British detective fiction written between 1920 and 2020. Exploring a range of authors including Agatha Christie, Patricia Wentworth, Val McDermid, Sarah Caudwell, Georgette Heyer, Dorothy Dunnett, Jonathan Stroud and Ben Aaronovitch, Lisa Hopkins argues that both the literal and literary disinterment of the past use elements of the national past to interrogate the present. As such, in the texts discussed, uncovering the truth about an individual crime is also typically an uncovering of a more general connection between the present and the past.  Whether detective novels explore murders on archaeological digs, hauntings, cold crimes or killings at Christmas, Hopkins explores the underlying message that you cannot understand the present unless you understand the past..
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发表于 2025-3-21 22:49:29 | 显示全部楼层
The Deep Dead: Detective Fiction and Archaeology,odies or possessions resurface in a way that affects or comments on the present. Any act of digging the ground in crime fiction is also a digging into someone’s life, and any disinterment of the dead also reveals something about the living. The first half of the chapter looks at the history of archa
发表于 2025-3-22 00:51:29 | 显示全部楼层
,The Tongue Is a Fire: Patricia Wentworth’s Miss Silver Novels,, but never really changes: she continues to uphold Victorian values and to quote Tennyson at all opportunities. This is not only from nostalgia, however: the books consistently present talk—and especially women’s talk—as a terrifying force which poisons people’s lives and distorts their sense of wh
发表于 2025-3-22 07:09:15 | 显示全部楼层
The Body in the Library: Georgette Heyer, Dorothy Dunnett and Sarah Caudwell,ays already in the library. It opens with the detective stories of Georgette Heyer, moves on to Dorothy Dunnett’s Johnson Johnson books and finally looks at the slim but delicious . of Sarah Caudwell. Each of these authors has a distinctive voice, and yet all (including Heyer herself) are influenced
发表于 2025-3-22 09:12:15 | 显示全部楼层
Cover Her Face: Elizabethan and Jacobean Drama,bscure dramatists of the period are referred to. On one level, quotations from Peele, Webster, Ben Jonson or Ford allow anyone who identifies them to feel clever. More subtly, the image of Jacobean drama as decadent means that reference to it might invite readers to speculate on what kind of society
发表于 2025-3-22 14:40:15 | 显示全部楼层
发表于 2025-3-22 18:37:57 | 显示全部楼层
Crime at Christmas, the fact that the more enthusiasm a character displays for the season, the more likely they are to be murdered. The chapter suggests that as part of the inversion and suspension of normality associated with the twelve days of Christmas, the usual moral imperatives are relaxed and killing can become
发表于 2025-3-22 22:53:31 | 显示全部楼层
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