Titlebook: Browning and the Modern Tradition; Betty S. Flowers Textbook 1976Latest edition Betty S. Flowers 1976 Britain.history of literature.litera

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减震

The Approach to the Subject,emur at altogether’,. he was pointing to a problem which he faced throughout his writing career — that of a public expecting something from his poetry which he refused to give, and through this expectation, being blind to that which was peculiarly his own to give. Through his introductions and throu

Chronic

The Use of Common Speech,closely involved was no exception to this generalisation. In fact, one of the most immediately noticeable differences between twentieth-century poetry and most poetry of the nineteenth century is the modern emphasis on common diction. For readers accustomed to the diction of Tennyson — ‘Dost thou lo

Preamble

Insensate

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John Bellamy Foster,Robert W. McChesneyTraditionally, the borderline between poetry and prose was very clear: poetry was ‘verse’, and prose was not. In modem literature, however, this distinction has become blurred. A passage in a novel may exhibit patterns of rhythm, alliteration and other characteristics usually associated with verse:

防御

The Dramatic Method,On those rare occasions when Browning discussed the nature of his own poetry, he usually referred to it as being essentially dramatic. ‘Robert Browning, you writer of plays’ he said of himself nearly a decade after the publication of his last play:

商谈

The Musical Analogy,Pound and the Imagists insisted that the poem is an object in the same sense that a painting or a sculpture are objects. Yet, in addition to this comparison, there was another made by Pound, Eliot, W. C. Williams and other modern poets: the analogy of poetry with music. Pound made these two analogies explicit when he said:

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apropos

King Henry VI: Glory of Innocence,teenth century to what is called ‘modem poetry’, the movement centring around Ezra Pound in the years 1908 to 1920 was by nature more of a revolution than a continuing of the nineteenth-century tradition.. Imagism was the most clearly defined movement connected with the poetic revolution of the time