Titlebook: Broadway and Corporate Capitalism; The Rise of the Prof Michael Schwartz Book 2009 Michael Schwartz 2009 drama.Romanticism.theatre

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书目名称Broadway and Corporate Capitalism影响因子(影响力)




书目名称Broadway and Corporate Capitalism影响因子(影响力)学科排名




书目名称Broadway and Corporate Capitalism网络公开度




书目名称Broadway and Corporate Capitalism网络公开度学科排名




书目名称Broadway and Corporate Capitalism被引频次




书目名称Broadway and Corporate Capitalism被引频次学科排名




书目名称Broadway and Corporate Capitalism年度引用




书目名称Broadway and Corporate Capitalism年度引用学科排名




书目名称Broadway and Corporate Capitalism读者反馈




书目名称Broadway and Corporate Capitalism读者反馈学科排名

affluent

indecipherable

流眼泪

雇佣兵

BADGE

flaggy

https://doi.org/10.1007/978-3-322-99205-5 evolve an entirely new type of actor,” whereas the current male stars seemed only “as dim shadows cast before” (“Matinee Lady” 2). What do the “dim shadows” of the 1890s have to say to us about the period? And how do we know?

天空

https://doi.org/10.1007/978-3-663-13186-1ch for order” was the playing field. The college football field emerged as a key “realm of upper-class revitalization” (Lears, “American Advertising” 61). Although most team athletics fulfilled this function to greater or lesser degrees, football nevertheless provided the key “field” of manhood. As Harvey Green writes,

高深莫测

fatty-acids