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Titlebook: Broadway Boogie Woogie; Damon Runyon and the Daniel R. Schwarz Book 2003 Palgrave Macmillan, a division of Nature America Inc. 2003 fiction

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发表于 2025-3-21 18:01:27 | 显示全部楼层 |阅读模式
期刊全称Broadway Boogie Woogie
期刊简称Damon Runyon and the
影响因子2023Daniel R. Schwarz
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图书封面Titlebook: Broadway Boogie Woogie; Damon Runyon and the Daniel R. Schwarz Book 2003 Palgrave Macmillan, a division of Nature America Inc. 2003 fiction
影响因子While analyzing Damon Runyon‘s high spirited work in terms of historical contexts, popular culture, and of the changing function of the media, Schwarz argues that in his columns and stories Runyon was an indispensable figure in creating our public images of New York City culture, including our interest in the demi-monde and underworld that explains in part the success of The Godfather films and The Sopranos . In his lively and exuberant chapters that include a panoramic view of New York City between the World Wars - with a focus on its colourful nightlife - Schwarz examines virtually every facet of Runyon‘s career from sports writer, daily columnist, trial reporter, and Hollywood figure to the author of the still widely-read short stories that were the source of the Broadway hit Guys and Dolls . As part of his discussion of Runyon‘s art and the artistry of Runyon‘s fiction, Schwarz skilfully examines the special language of the Broadway stories known as ‘Runyonese‘, and explains how ‘Runyonese‘ has become an adjective for describing flamboyant behaviour.
Pindex Book 2003
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,Runyon’s New York, the eighteenth century New York Harbor had dominated trade and commerce. Walt Whitman celebrated the noise, variety, and erotic energy of the city. His optimistic vision of a nation of brothers—of a vibrant multicultural social mosaic—was an ideal challenged by private greed, dismal social conditio
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,Runyon’s Trial Reporting And The Spectator Culture,ials, to feed the insatiable voyeurism of the public. In this chapter we shall examine how Runyon’s reporting of major trials had an important effect on the transformation of these trials into crystallizing media events. What distinguishes the modern spectator culture is its focus not only on the ac
发表于 2025-3-22 09:07:58 | 显示全部楼层
,The Art And Artistry Of Runyon’s Fiction,s, a large part of it invented by gag-writers, newspaper columnists, and press agents, and the rest borrowed from the vocabularies of criminals, prostitutes and the lower orders of show folk. There was a time when it was chiefly propagated by vaudeville performers, but now that vaudeville is in ecli
发表于 2025-3-22 15:56:37 | 显示全部楼层
,The Genres of Runyon’s Fiction,ple didn’t read the comics, go to musicals, or read popular fiction. Our teachers and professors taught the cult of intellectual elitism. I began reading the . comic strip on rare occasion in our local Ithaca newspaper only after Charles Schulz died. Yet the paperback editions of . and . sold over a
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The Turps, the customs and conventions of Greater New York, and in particular Brooklyn, scant attention. As Edwin G. Burrows and Mike Wallace note, “[T]he nation’s first- and fourth-largest cities [Manhattan and Brooklyn] would merge into a supercity— Greater New York—that would encompass not only Manhattan a
发表于 2025-3-23 08:02:25 | 显示全部楼层
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