Titlebook: British Women Writers of World War II; Battlegrounds of the Phyllis Lassner Book 1998 Palgrave Macmillan, a division of Macmillan Publisher

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,Dystopic Visions of Hitler’s Victory: ‘The Future is Our Business’, rise to the foundational and romantic myths which supported supremacist ideologies and politics. Although many other dystopias of the period drew upon the rise of Hitler and warned of international crisis, unlike Jameson’s analysis of power politics, their focus on weapon technology would draw read

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,‘Perpetual Civil War’: Domestic Fictions of Britain’s Fate,n narratives. One of the most successful examples is dramatized in the work and life of Betty Miller (1910–65), who was still struggling to become a serious writer when the war broke out. Having to uproot herself and her two children each time her psychiatrist husband was moved to a different army h

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How to Position a Luxury Product,o weave memory into different patterns for world peace. So Vera Brittain crafted her 1933 odyssey of feminism and pacifism, ., out of her diaries of World War I’s inexplicable waste. Storm Jameson wove her despair at her young brother’s senseless death into many later narratives, each of them arguin

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