Titlebook: British Women Writers and the Short Story, 1850-1930; Reclaiming Social Sp Kate Krueger Book 2014 Palgrave Macmillan, a division of Macmill

Limpid

荣幸

OMIT

,Baynton and Mansfield’s Unsettling Women,ing evinced her equality, authenticity, and a refreshing straightforwardness distinct from the refined yet artificial turn-of-the-century Englishwoman.. Women were repeatedly featured as crucial players in the construction of Nation and Empire, supporting their male partners by working alongside the

crutch

Conclusion: Woolf, Rhys, and Narratives of Obscurity,mply a reenactment of patriarchal privilege. Woolf suggests that the room connotes a recognition of women’s intellectual vocation and intellectualism, a space for work. It is not necessarily masculine — or at least, the study is masculine only insofar as intellectual work is gendered as such. Of cou

套索

AXIS

无力更进

Braddon, Broughton, and Specters of Social Critique,o the vulnerability of that location. In much of mid-Victorian fiction, the image of the reputable home hinged upon the presence of a contented housewife. To disturb one was to destroy the other. This chapter highlights Mary Elizabeth Braddon and Rhoda Broughton’s ghost stories as an example of the

Cervical-Spine

灯丝

Harness