Titlebook: British Women Writers and the Reception of Ancient Egypt, 1840-1910; Imperialist Represen Molly Youngkin Book 2016 The Editor(s) (if applic

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,Kritische Würdigung und Fazit,ut the Jewish character Mordecai, that she was trying “to give new elements” in the creation of this important character, to give readers something different in Mordecai than what author Benjamin Disraeli had given with Sidonia, the Jewish character in . (1844) (Eliot, . 6:223). Yet, Eliot recognize

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Leaping Luxuries and Transitional Consumersbeth Peters was working on a new Amelia Pea-body novel (Mertz, “Notes” n. pag.), part of a mystery series that features an Amelia Edwards-like Englishwoman who solves crimes while traveling in Egypt. Though Peters’s focus on an independent woman detective may be compelling to readers invested in wom

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nt Egyptian women in their written and visual works. Images of Hathor, Isis, and Cleopatra influenced how British writers such as George Eliot and Edith Cooper came to represent female emancipation..978-1-349-55520-8978-1-137-56614-0

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Book 2016.Focusing on British women writers‘ knowledge of ancient Egypt, Youngkin shows the oftentimes limited but pervasive representations of ancient Egyptian women in their written and visual works. Images of Hathor, Isis, and Cleopatra influenced how British writers such as George Eliot and Edith Cooper came to represent female emancipation..

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https://doi.org/10.1057/9781137566140Britain; fiction; gender; George Eliot; history of literature; literature; nineteenth century; novel; social

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