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Titlebook: British Women Writers and the Profession of Literary Criticism, 1789-1832; Mary A. Waters Book 2004 Palgrave Macmillan, a division of Macm

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发表于 2025-3-21 18:22:44 | 显示全部楼层 |阅读模式
期刊全称British Women Writers and the Profession of Literary Criticism, 1789-1832
影响因子2023Mary A. Waters
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学科分类Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print
图书封面Titlebook: British Women Writers and the Profession of Literary Criticism, 1789-1832;  Mary A. Waters Book 2004 Palgrave Macmillan, a division of Macm
影响因子This book examines professional literary criticism by Romantic-era British women to reveal that, while developing a conscious professionalism, women literary critics helped to shape the aesthetic models that defined Romantic-era literary values and made the British literary heritage a source of national pride. Women critics understood the contested nature of aesthetics and the public implications of aesthetic values on questions such as morality, both public and private, the nation‘s cultural heritage, even the essential qualities of Britishness itself.
Pindex Book 2004
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Health Marketing in a Hospital Settingetorical, for in the very essay to which it gives title, they go on to offer examples of women critics whose work fails to receive its due in standard anthologies and histories of criticism. Names such as Charlotte Lennox, Clara Reeve, and Vernon Lee provide them with instances of groundbreaking wom
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Marketing Horizons: A 1980‘s Perspective may at first seem. As religious Dissenters, the Aikin men were barred from most avenues of formal higher education in England. Yet Boaden is right; they were indeed scholars. To prepare their own clergy and to provide educational opportunities for their adherents, eighteenth-century English Dissent
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Marketing Progress: A Never-Ending Storyeducation, who had recently been discharged from her position as governess with the family of an Irish peer, wrote to her sister Everina: “Mr Johnson […] assures me that if I exert my talents in writing, I may support myself in a comfortable way. I am then going to be the first of a new genus — I tr
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The Metamorphosis of the Automotive Marketmetaphor fits in more ways than one. Not only did Wollstonecraft represent a departure from past limitations on women’s participation in the literary profession, but she exemplified a “first” that was soon followed by a “second” and a “third,” new members of the species emerging singly at first, but
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978-1-349-51850-0Palgrave Macmillan, a division of Macmillan Publishers Limited 2004
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Palgrave Studies in the Enlightenment, Romanticism and Cultures of Printhttp://image.papertrans.cn/b/image/191190.jpg
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