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Titlebook: British Women Film Directors in the New Millennium; Stella Hockenhull Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Briti

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发表于 2025-3-21 16:33:45 | 显示全部楼层 |阅读模式
期刊全称British Women Film Directors in the New Millennium
影响因子2023Stella Hockenhull
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发行地址Examines the variety of work produced by women film directors within the industry.Discusses production, distribution and exhibition of female directors‘ work.Features discussion of the various diversi
图书封面Titlebook: British Women Film Directors in the New Millennium;  Stella Hockenhull Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Briti
影响因子This book focuses on the output of women film directors in the period post Millennium when the number of female directors working within the film industry rose substantially. Despite the fact that nationally and internationally women film directors are underrepresented within the industry, there is a wealth of talent currently working in Britain. During the early part of the 2000s, the UKFC instigated policies and strategies for gender equality and since then the British Film Institute has continued to encourage diversity. British Women Directors in the New Millennium therefore examines the production, distribution and exhibition of female directors’ work in light of policy. The book is divided into two sections: part one includes a historical background of women directors working in the twentieth century before discussing the various diversity funding opportunities available since 2000. The second part of the book examines the innovation, creativity and resourcefulness of British female film directors, as well as the considerable variety of films that they produce, selecting specific examples for analysis in the process.    
Pindex Book 2017
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The Editor(s) (if applicable) and The Author(s) 2017
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https://doi.org/10.1007/978-3-8349-9298-7men demonstrate skill by taking on large-scale topics, from environmental activism, to documenting societal and cultural change, to controversial takes on inner-city life, and they explore them through intimate, relatable narratives. Furthermore, they reinforce their allegiance to their beliefs by f
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https://doi.org/10.1007/978-3-8349-9298-7erimental filmmaking encourages a relationship with cinema which is active rather than passive. As part of the process of self-inscription, the filmmakers offer a personal aspect to their films, appearing as actor or voice-over, or working with autobiographical content. Sometimes they traverse borde
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https://doi.org/10.1007/978-3-8349-9298-7unding strategies, production, distribution and exhibition methods, as well as aesthetics and genre. Innovative methods for fundraising, and women’s flair for unusual stories told using a rich visual vocabulary has important resonances for future female filmmakers. What is apparent is that most wome
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