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Titlebook: British Theatre of the 1990s; Interviews with Dire Mireia Aragay (Senior Lecturer in English Literatu Book 2007 Palgrave Macmillan, a divis

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发表于 2025-3-21 19:20:24 | 显示全部楼层 |阅读模式
期刊全称British Theatre of the 1990s
期刊简称Interviews with Dire
影响因子2023Mireia Aragay (Senior Lecturer in English Literatu
视频video
图书封面Titlebook: British Theatre of the 1990s; Interviews with Dire Mireia Aragay (Senior Lecturer in English Literatu Book 2007 Palgrave Macmillan, a divis
影响因子This exciting book uniquely combines interviews with scholars and practitioners in theatre studies to look at what most people feel is a pivotal moment of British theatre - the 1990s. With a particular focus on ‘in-yer-face theatre‘, this volume will be essential reading for all students and scholars of contemporary British theatre.
Pindex Book 2007
The information of publication is updating

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Aleks SierzAleks Sierz is a freelance writer, journalist, critic and broadcaster. He is author of . (2001), . (2006) and a regular contributor to .. His website at http://www.inyerface-theatre.com contains a mine of information about new writing in British theatre since the early 1990s. The interview that follows was conducted in London on 2 July 2003.
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https://doi.org/10.1007/978-3-662-00597-2t Theatre as Director of the Young Writers’ Festival in 1991. He became Associate Director at the Court in 1994, and was responsible, over the 1990s, for landmark productions of Joe Penhall’s . (1994), Jez Butterworth’s . (1995), and Conor McPherson’s . (1997), among others. Rickson was Artistic Dir
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Das Marketing-Management-Konzept,Traverse Theatre in Edinburgh, he founded Joint Stock Theatre Company. Stafford-Clark is the longest-serving Royal Court Theatre Artistic Director (1979–93). In 1993, he formed the national and international touring theatre company Out of Joint, dedicated to the production of new writing. His work a
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Das Marketing-Management-Konzept,He was Artistic Director at the Lyric Hammersmith Theatre from 1994 to 2004, where he worked in collaboration with Robert Lepage, Théâtre de Complicité and Improbable Theatre, and directed pieces by a wide variety of authors. His work as a playwright includes . (1983), . (1984), . (1986, 1989 and 19
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Marketing Analytics – Technologien und Toolsh the Orange Tree Theatre in Richmond, where his first plays were staged. In the early 1990s, Crimp began his association with the Royal Court Theatre, which staged . (1990) and . (1991). After a stay in New York as Writer-in-Residence with New Dramatists, Crimp wrote . (1993), which won the John Wh
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Marcus Albrecht,Tobias Schlüterthe Hampstead Theatre commissioned My ., which finally premiered at the Royal Court Theatre Upstairs in 1994 and was turned into a film in 1996. Elyot is the author of three other stage plays, . (1998), . (2001) and . (2004) and, since the mid-1990s, has written television dramatizations of . (1996)
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Künstliche Intelligenz im Marketingevision Bursary and the John Whiting Award in 1995. He has also written . (1995), . (1997) and . (1998). . (2000) won the Evening Standard Best Play of the Year (2000), the Critics’ Circle Theatre Award for Best New Play (2000) and the Olivier Award for Best New Play (2001). His latest plays are . (
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