Titlebook: British TV Comedies; Cultural Concepts, C Jürgen Kamm,Birgit Neumann Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Televis

FERN

书目名称British TV Comedies影响因子(影响力)




书目名称British TV Comedies影响因子(影响力)学科排名




书目名称British TV Comedies网络公开度




书目名称British TV Comedies网络公开度学科排名




书目名称British TV Comedies被引频次




书目名称British TV Comedies被引频次学科排名




书目名称British TV Comedies年度引用




书目名称British TV Comedies年度引用学科排名




书目名称British TV Comedies读者反馈




书目名称British TV Comedies读者反馈学科排名

手铐

‘Your Little Game’: Myth and War in 7. Initially, the results of an audience survey were rather disappointing (Webber, . 8), but viewing figures increased from 8.2 million (Series One) to 18 million (Series Five), reaching their peak in 1972 and averaging more than 12 million viewers per week over the span of the programme (Cullen 201)..

progestin

Studies in Marketing Managementll development of British TV comedy. . and . are now generally regarded as having played a significant role in the development of TV comedy. They enabled the sitcom to establish itself as the television genre on which channel controllers would increasingly come to rely in the coming decades as a major weapon in their scheduling armoury.

敲诈

意外的成功

Anthrp

拥挤前

‘Sambo’ and ‘Snowflake’: Race and Race Relations in en-wall comedy’ (Coleman 28). Indeed, .’s approach to race and race relations has rendered the series ‘[o]ne of the more controversial sitcoms in the annals of British television history’ (Taylor and Perry 155).

ENDOW

‘You Snobs! You Stupid… Stuck-Up… Toffee-Nosed… Half-Witted… Upper-Class Piles of… Pus!’ Basil Fawltcognised as the most ‘Monstrous Boss on British’ TV by the UK Satellite Channel UK Gold, just beating David Brent from . (BBC2/BBC1 2001–2003). The show has aired in over 60 countries, in places like Tonga, China, Pakistan, Latvia, Malta and Denmark (‘Fawlty Towers’ .).

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