Titlebook: British Silent Cinema and the Great War; Michael Hammond (Senior Lecturer in Film),Michael Book 2011 Palgrave Macmillan, a division of Ma

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The Future of Technology Commercializationtish Film Institute watching silent fiction feature material related to the Great War.. I had been very keen for the event to ‘do’ the war, particularly after a series of important anniversaries, and I had high hopes that we would discover riches, particularly in the features. My spirits fell when f

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https://doi.org/10.1007/978-3-030-10734-5enemy who is being fought against needs to be balanced by a more positive representation of what is being fought for. Where British propaganda of the twentieth century is concerned, however, a widespread perception has been that such balance has been achieved across the two wars, rather than within

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Goodbye to All That or Business as Usual? History and Memory of the Great War in British Cinema known surviving combat veteran of that war, it is more than ever the realm of the archive to which we must turn in search of witness. Yet even with almost a century passed since the armistice, few events remain so deeply scored into the popular imagination; as one newspaper reflected: ‘the first wo

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(1916): An Industrial Process Film that ‘Wounds the Heart’f the exhausted British soldier moving through the trench towards the camera with a mortally wounded soldier on his back — are in large measure images drawn from the official war film . (1916). Since the 1960s these images have been used in television documentaries and tributes on Remembrance Day to

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British and Colonial: What the Company Did in the Great Warposter, it is a revealing question to ask of the British film companies in the war years. This chapter seeks to offer a partial answer by giving an account of some of the films produced by the British and Colonial Kinematograph Company (henceforth B&C) in its response to the conflict. The company ha

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‘Improper Practices’ in Great War British Cinemase Great War. The exhibition context is of particular importance during the war years, as cinema going throughout this period was far from idyllic; in fact, British cinemas were subject to police scrutiny and were a hub of sexual activity that the government strove to suppress. Many critics have loca

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