Titlebook: British Romanticism, Climate Change, and the Anthropocene; Writing Tambora David Higgins Book 2017 The Editor(s) (if applicable) and The Au

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Introduction,ne. . innovatively addresses the question of how global catastrophe is rhetorically produced. The subsequent discussion details three areas of research which the book draws on and to which it also contributes: disaster studies; new materialism and speculative realism; and the cultural history of cli

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Textuality, Empire, and the Catastrophic Assemblage: Sir Stamford Raffles and the Tambora Eruption, Raffles. Scholars have treated this text as a straightforward account of the eruption and its effects, but it is in fact a complex heteroglossic and collaborative production in which different perspectives and knowledges intertwine and compete. ‘Tambora’, the chapter argues, is usefully understood

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Geohistory, Epistemology, and Extinction: Byron and the Shelleys in 1816,ambora, but the bad weather that it largely caused was an important influence on their creativity, in combination with their interest in contemporary natural philosophy and their experience of the sublime landscapes around Geneva. This chapter brings together their 1816 writings to reveal the richne

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,The ‘Year Without a Summer’ and the Politics of Climate Change,hat makes an environmental catastrophe. It shows how reformers like William Cobbett sought to argue that poverty and famine, rather than part of the order of nature, were politically produced. However, through a reading of the . republication of Coleridge’s poem ‘Fire, Famine, and Slaughter’, it als

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https://doi.org/10.1007/978-3-319-67894-8Anthropocene; Global Warming; Nineteenth century; Poetry; Environment; British Romanticism; Climate Change

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978-3-319-88505-6The Editor(s) (if applicable) and The Author(s) 2017