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Titlebook: British Romanticism and Continental Influences; Writing in an Age of Peter Mortensen Book 2004 Palgrave Macmillan, a division of Macmillan

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Economic Power and the Political Process,ntroduced in 1796, Burger’s supernatural tales immediately struck a chord with English and Scottish readers. In a letter from that year, Anna Seward reports how high and low readers alike felt that their minds were ‘grappled’ by Burger’s ‘Lenore’.. In a contemporary letter to Coleridge, Charles Lamb
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Erik Mooi,Marko Sarstedt,Irma Mooi-Recing of Romanticism. The scholarship primarily responsible for reviving discussion about pastoral, beginning with the pioneering work of Raymond Williams, extended the term to cover all writing that celebrates the ethos of rurality in contrast to the ethos of the city, using historical evidence to exp
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Springer Texts in Business and Economicsed already a decade ago, British Romantic drama has undergone ‘an important revaluation […] with numbers of critics […] showing that the dismissal of Romantic drama has arisen from conventional and mistaken assumptions about its strategies and principles’.. Kucich may overstate his case here, for it
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Erik Mooi,Marko Sarstedt,Irma Mooi-Recimas Gray issued his Norse odes ‘The Fatal Sisters’ and ‘The Descent of Odin’, which amply demonstrate his familiarity with current scholarship on Scandinavian matters.. The subsequent years produced a plethora of lesser-known and lesser-regarded publications such as Thomas Penrose’s ‘The Carousal of
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Epilogue: The Annual Fair of September,The paradox of British Romanticism is that its revolution came about through an intense and largely isolated engagement with its own past..
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,Introduction: ‘Sickly and Stupid German Tragedies’,The paradox of British Romanticism is that its revolution came about through an intense and largely isolated engagement with its own past..
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