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Titlebook: British Periodicals and Romantic Identity; The "Literary Lower Mark Schoenfield Book 2009 Palgrave Macmillan, a division of Nature America

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期刊全称British Periodicals and Romantic Identity
期刊简称The "Literary Lower
影响因子2023Mark Schoenfield
视频video
学科分类Nineteenth-Century Major Lives and Letters
图书封面Titlebook: British Periodicals and Romantic Identity; The
影响因子When Lord Byron identified the periodical industry as the "Literary Lower Empire," he registered the cultural clout that periodicals had accumulated by positioning themselves as both the predominant purveyors of scientific, economic, and social information and the arbiters of literary and artistic taste. British Periodicals and Romantic Identity explores how periodicals such as the Edinburgh, Blackwood s, and the Westminster became the repositories and creators of "public opinion." In addition, Schoenfield examines how particular figures, both inside and outside the editorial apparatus of the reviews and magazines, negotiated this public and rapidly professionalized space. Ranging from Lord Byron, whose self-identification as lord and poet anticipated his public image in the periodicals, to William Hazlitt, equally journalist and subject of the reviews, this engaging study explores both canonical figures and canon makers in the periodicals and positions them as a centralizing force inthe consolidation of Romantic print culture.
Pindex Book 2009
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David Aaker,Florian Stahl,Felix Stöckleamphlet engaging a legal dispute between Edinburgh master-printers and compositors uses “an example” from a work “in everybody’s hands, the Edinburgh Review” (Additional Memorial 2). Their prominence provoked responses across the political spectrum.
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Book 2009y positioning themselves as both the predominant purveyors of scientific, economic, and social information and the arbiters of literary and artistic taste. British Periodicals and Romantic Identity explores how periodicals such as the Edinburgh, Blackwood s, and the Westminster became the repositori
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Christiane Wenhart,Uwe Munzinger in prescribed ways. A paradigmatic figure for this performance in Romantic-era London was Abraham Goldsmid. His own performance of his public identity operated within the matrix of the periodical press, and confronted William Cobbett’s marshaling of cultural anti-Semitism.
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Book 2009anticipated his public image in the periodicals, to William Hazlitt, equally journalist and subject of the reviews, this engaging study explores both canonical figures and canon makers in the periodicals and positions them as a centralizing force inthe consolidation of Romantic print culture.
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Nineteenth-Century Major Lives and Lettershttp://image.papertrans.cn/b/image/191106.jpg
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