Titlebook: British Fiction and the Cold War; Andrew Hammond Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013 Cold War.Ea

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,Margaret Paston’s Calendar and Her Saints, an analysis of how these were shadowed by government efforts to control public responses at home and abroad. Although it has had little to say about the propagandistic qualities of literature, the subject of this chapter, the approach has uncovered a vast discursive framework that permeated governm

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Margaret Thatcher and Ronald Reagann amongst civilian populations. The four aspects of intelligence — collection, analysis, counter-intelligence, covert action — are interdependent, and it is their co-ordination that intelligence bureaux are designed to ensure. The complexity of the task helps to explain the huge proliferation of sec

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Conclusions: ‘Who Influenced Whom?’at hope for social change, Aijaz Ahmad asks, when ‘[a]ny attempt to . the world as a whole, or to hold that it is open to rational comprehension, [is] to be dismissed as a contemptible attempt to construct “grand narratives”’.. For a Marxist critic like Ahmad, there is something self-indulgent and i

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Margaret Thatcher and Ronald Reaganhurchill’s ‘Iron Curtain’ speech and based on perceptions of shared traditions of language, commerce and political outlook from the seventeenth century onwards.. Indeed, in 1945 Britain could still stake an equal claim to world leadership. Although the war had reduced the nation’s wealth by a quarte

conscience

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Literary Containment, the Second World War, the techniques of public persuasion were rapidly extended after 1945 into an integral part of domestic and international policy, neither of which were deemed viable without the manufactured consent of domestic populations. As Martin Medhurst argues, ‘[a] Cold War is, by defini

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