Titlebook: British Fiction and Cross-Cultural Encounters; Ethnographic Moderni Carey J. Snyder Book 20081st edition Palgrave Macmillan, a division of

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https://doi.org/10.1007/978-1-349-18846-8skeletons, to the funereal femme fatale at the narrative’s center, who reigns over a savage tribe living on the ruins of a once glorious civilization, . has lent itself to psychoanalytic and mythical interpretations.. Marysa Demoor writes that Haggard’s African tales translate “the suppressed elemen

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https://doi.org/10.1007/978-1-349-24265-8eteran traveler among them, Mr. Flushing, adopts the role of impromptu ethnographer, biding the party to “remark the signs of human habitation”—signs he confidently assumes that he can interpret, his imperious approach reflecting the assumption that they are the spectators while the natives are the

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Colin Nicholson (Senior Lecturer in English) (93). Although recent studies have shown that Lawrence’s representations of indigenous people alternately idealize and denigrate their subject, contemporary scholars, somewhat surprisingly, continue to praise Lawrence for his “extraordinary effort to get . Indian culture” (Kinkead-Weekes 27) and fo

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https://doi.org/10.1007/978-1-349-22807-2ra of European exploration and conquest—to an era of full-blown tourism and imperial decline. This timespan also witnessed the transformation of anthropology from a learned amateur’s pursuit into a profession and an academic discipline—from, that is, the era of armchair anthropologists, reliant on “

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https://doi.org/10.1007/978-1-137-03947-7Cultural Studies; David Herbert Lawrence; English literature; fiction; Modernism; Virginia Woolf; Woolf; Br

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