Titlebook: British Fiction After Modernism; The Novel at Mid-Cen Marina MacKay (Assistant Professor of English),Lyn Book 2007 Palgrave Macmillan, a di

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Rendering Justice to the Visible World: History, Politics and National Identity in the Novels of Grwhich were never thought possible’.. This benumbing of experience is evoked in the second half of Robert Graves’s . (1927), a text Wyndham Lewis described in his 1937 memoir as a ‘masterly winding-up of a bankrupt emotional concern’ whose demise his own work sought to hasten.. Benjamin, in turn, gra

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Varieties of Modernism, Varieties of Incomprehension: Patrick Hamilton and Elizabeth Bowen,me being accessible, working within or closer to mainstream, popular models of fiction. There was an attempt to win back a broader readership while continuing to be innovative and exploratory. In saying this I have in mind authors such as Rosamond Lehmann and Jean Rhys (Alison Light also presents th

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Reconsidering ,: Kingsley Amis and the Condition of England,e perception of Amis’s humorous fiction as merely reactionary has increasingly alienated him from the liberal enclaves of universities (a liberalism which has grown steadily since the democratization of education for which . stands, thus ironically, as the marker). The effect of Amis’s later reputat

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