Titlebook: British Experimental Women’s Fiction, 1945—1975; Slipping Through the Andrew Radford,Hannah Van Hove Book 2021 The Editor(s) (if applicable

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Proper Actions of Groups on C*-Algebras, into one of the defining features of post-war women’s short stories, in writing that sought the compensations of dream, memory, phantasm, hope and illusion to set out an alternative reality. Placing particular emphasis on the short stories of Elizabeth Bowen and Anna Kavan, this chapter explores the hallucinatory as an emancipatory literary mode.

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A Precarious Vision: Hallucination and the Short Story in Post-War Britain into one of the defining features of post-war women’s short stories, in writing that sought the compensations of dream, memory, phantasm, hope and illusion to set out an alternative reality. Placing particular emphasis on the short stories of Elizabeth Bowen and Anna Kavan, this chapter explores the hallucinatory as an emancipatory literary mode.

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Book 2021tes the processes of canon formation, asking why, in one way or another, these authors have been sidelined or misconstrued by recent scholarship. Ultimately, it seeks to refine a new research archive on mid-century British fiction by female novelistsat least as diverse as recent and longer established work in the domain of modernist studies.

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Introduction: The Cartographic Transactiontions in the use of found materials. It argues for a reconsideration of Delaney’s legacy; reading her as an early experimentalist rather than a late addition to the movement popularly labelled the “Angry Young Men”.