Titlebook: Britain and the Holocaust; Remembering and Repr Caroline Sharples (Lecturer in Modern European His Book 2013 Palgrave Macmillan, a division

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‘And The Trouble Is Where to Begin to Spring Surprises on You. Perhaps a Place You Might , Like to R. Building on the work of Emiliano Perra, he argues that ‘the response to . in Britain’ had more in common with ‘the muted and ephemeral reception seen in Italy’ than ‘the more extensive and far-reaching response seen in West Germany or the United States’.. As he summarises, ‘far from . stimulating

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The Holocaust in British Television and Film: A Look over the Fence the Holocaust was not a topic of major concern but merely seen as an add-on to the Second World War. The war itself and the Nazis were much more interesting — and easier to make fun of. One can only admire the lightness and easiness with which British television series, from . to . from . to . ., d

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Holocaust Art at the Imperial War Museum, 1945–2009sited its permanent Holocaust exhibition since this was formally opened in June 2000. What Suzanne Bardgett, the curator who runs the exhibition, calls its ‘artifacts’ cover 1,200 square metres but before 2009 it showed only one piece of ‘art’ indirectly derived from the discovery and liberation of

RADE

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Misgiving