Titlebook: Breaking Bad and Dignity; Unity and Fragmentat Elliott Logan Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Breaking Bad.se

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Book 2016An ambitious interpretation of the critically celebrated and widely popular crime drama Breaking Bad , this book argues that not only should the series be understood as a show that revolves around the dramatic stakes of dignity, but that to do so reveals - in new ways - central aspects of serial television drama as an art form.

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Nieves Pérez-Solórzano BorragánS, the UK, and Europe that, from the 1990s onwards, drew frequent acclaim for extending and deepening television fiction’s narrative and stylistic palette and its range of related achievements. A common touchstone for this discourse was the adjective ‘cinematic’. As a term of both description and ap

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Anthea Connolly,Stephen Day,Jo Shawn which they risk humiliating or shameful exposure. The pilot episode (‘Breaking Bad’, 1.1) introduces both Walt and Jesse through vulnerable moments of possible discovery and exposure by the police: first Walt in the opening sequence in the desert, later Jesse in the second act meth lab raid. Throu

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https://doi.org/10.1007/1-4020-3090-8ndful of Nothin” (1.6), Walt, undergoing what we see to be the degrading effects of chemotherapy — his nausea keeps him from work, his hair falls out in clumps — seeks to accelerate the earnings of Jesse’s piecemeal, hand-to-hand meth deals. Walt decides they should get a contract with a mid-level d

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