Titlebook: Bram Stoker, Dracula and the Victorian Gothic Stage; Catherine Wynne Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limi

Foam-Cells

,Irving’s Tempters and Stoker’s Vanishing Ladies: Supernatural Production, Mesmeric Influence and Mad Ira Davenport, with the intention of exposing the fraudulence of the celebrated American mediums. These actors exposed how the Davenports’ feats, which included the generation of ‘spirit’ manifestations, such as the playing of musical instruments from inside a wooden cabinet within which the broth

陈腐思想

,Ellen Terry and the ‘Bloofer Lady’: Femininity and Fallenness,few days before the opening of . on 30 December, in which Terry was to play Ophelia. ., Stoker describes his first encounter with Terry at the theatre on 23 December, in the.Stoker’s initial impression of Terry accords with her introduction to her 1908 memoir, in which she also draws on metaphors of

GREG

,Gothic Weddings and Performing Vampires: Geneviève Ward and ,uerbel in a civil ceremony in Nice in 1855 (1906, vol. 2: 170). Her husband argued that, according to Russian law, the union was not legal until another ceremony was performed in a Russian Orthodox church. After the Nice nuptials, de Guerbel had promised to solemnize the union in the Russian church

皮萨

Conclusion,enter, Jerry O’Sullivan, leaves the security of his work in Ireland for the lure of theatrical carpentry in London. The narrator describes how.When an opportunity arises to work at the Stanley Theatre, Jerry is tempted by the possibility of ‘combining his romantic taste and his trade experience’ in

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