Titlebook: Borges, Buddhism and World Literature; A Morphology of Renu Dominique Jullien Book 2019 The Editor(s) (if applicable) and The Author(s), un

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Fabio Gadducci,Francesco Santinior certain meaning, exemplarity, or revelation. In a post-transcendent context, the story’s straightforward efficiency is lost, along with its spiritual or political agency. This chapter engages with the enigmatic nature of the parable-like variants on the Renunciation story, both in Borges and beyond, in parables by Kafka and Blixen.

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A Borgesian Morphology: Renunciation, Morphology, and World Literature,iation stories. Borges emphasizes their transcultural and transhistorical circulation—an idea that interfaces with his anti-nationalist aesthetics in “The Argentine Writer and Tradition”—and suggests a theory of literature as “morphology” (a notion borrowed from Goethe): a potentially infinite numbe

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,Modernity’s Enigmatic Parables of Renunciation,or certain meaning, exemplarity, or revelation. In a post-transcendent context, the story’s straightforward efficiency is lost, along with its spiritual or political agency. This chapter engages with the enigmatic nature of the parable-like variants on the Renunciation story, both in Borges and beyo

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2634-601X nunciationarchetype morphs into stories about art and artists, with renunciation a key requirement of the creative process: the discussion weaves in and out of Borges to highlight modern writers’ debt to asceti978-3-030-04717-7Series ISSN 2634-601X Series E-ISSN 2634-6028

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A Borgesian Morphology: Renunciation, Morphology, and World Literature,r of poems and stories generated by transformation of a finite number of “archetypes”. Alongside this morphological conception of literature, the theme of apolitical withdrawal and the figure of Buddha as Renouncer also assume a heightened significance in the context of Argentina’s postwar political history.

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