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Titlebook: Borges the Unacknowledged Medievalist; Old English and Old M. J. Toswell Book 2014 Palgrave Macmillan, a division of Nature America Inc. 2

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期刊全称Borges the Unacknowledged Medievalist
期刊简称Old English and Old
影响因子2023M. J. Toswell
视频video
学科分类The New Middle Ages
图书封面Titlebook: Borges the Unacknowledged Medievalist; Old English and Old  M. J. Toswell Book 2014 Palgrave Macmillan, a division of Nature America Inc. 2
影响因子The Argentinian writer and poet Jorge Luis Borges (1899-1986) was many things during his life, but what has gone largely unnoticed is that he was a medievalist, and his interest in Germanic medievalism was pervasive throughout his work. This study will consider the medieval elements in Borges creative work and shed new light on his poetry.
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Borges the Fabulist,her explicitly or not. In some cases it considers the fables already recognized as involving his interest in Old English and Old Norse, but in others it addresses texts not obviously medieval in their inspiration. The chapter concludes with consideration of the kinds of texts that Borges was prepare
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,Borges’ Medievalism,nfluenced by Maria Kodama, Borges prepared some quite authoritative and intriguing texts, no longer adapting Old English and Old Norse into Spanish or revisiting ideas in his own work, but now translating closely and accurately. In his middle years, Borges approached the Germanic medieval as somethi
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2945-5936 e was a medievalist, and his interest in Germanic medievalism was pervasive throughout his work. This study will consider the medieval elements in Borges creative work and shed new light on his poetry.978-1-137-44447-9Series ISSN 2945-5936 Series E-ISSN 2945-5944
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Awareness, negation and Logical omniscience,it addresses texts not obviously medieval in their inspiration. The chapter concludes with consideration of the kinds of texts that Borges was prepared to use for his work, and his place in his own modern and Argentinian world.
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Borges the Scholar and Writer,it addresses texts not obviously medieval in their inspiration. The chapter concludes with consideration of the kinds of texts that Borges was prepared to use for his work, and his place in his own modern and Argentinian world.
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Borges the Fabulist,it addresses texts not obviously medieval in their inspiration. The chapter concludes with consideration of the kinds of texts that Borges was prepared to use for his work, and his place in his own modern and Argentinian world.
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