Titlebook: Border-Crossing and Comedy at the Théâtre Italien, 1716–1723; Matthew J. McMahan Book 2021 The Editor(s) (if applicable) and The Author(s)

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Matthew J. McMahanLooks at the challenges involved in coping with and adapting to migration in early modern comedy.Provides an interdisciplinary approach, using contemporary theories and examples.Examines ideas surroun

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Border-Crossing and Comedy at the Théâtre Italien, 1716–1723978-3-030-70071-3Series ISSN 2946-5893 Series E-ISSN 2946-5907

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Prologues, Metacomedy, and Cross-Cultural Rapport,ngage in dialogue with the audience by self-consciously foregrounding their immigrant identities. The Nouveau Théâtre Italien chose several creative ways to do so, including theatrical prologues and metatheatrical plays which addressed the actors’ feelings of foreignness, alienation, and cultural es

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Improvisation, Emotion, and Nationalized Esthetics,t of cultural capital: how a nationally correlated form, like improvisation, can be strategically employed by migrant performers to make themselves more valuable to the host audience. Even though Riccoboni tried to move away from ., he saw its potential to appeal to the French and chose to leverage

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