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Titlebook: Bookish Histories; Books, Literature, a Ina Ferris (Professor of English),Paul Keen (Profe Book 2009 Palgrave Macmillan, a division of Macm

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发表于 2025-3-21 17:00:38 | 显示全部楼层 |阅读模式
期刊全称Bookish Histories
期刊简称Books, Literature, a
影响因子2023Ina Ferris (Professor of English),Paul Keen (Profe
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学科分类Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print
图书封面Titlebook: Bookish Histories; Books, Literature, a Ina Ferris (Professor of English),Paul Keen (Profe Book 2009 Palgrave Macmillan, a division of Macm
影响因子This ground-breaking collection of essays presents a new ‘bookish‘ literary history, which situates questions about books at the intersection of a range of debates about the role of authors and readers, the organization of knowledge, the vogue for collecting, and the impact of overlapping technologies of writing and shifting generic boundaries.
Pindex Book 2009
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Local Government in the United Kingdom soon to become entwined with, if not indistinguishable from, the more notorious and volatile Bibliomania of the Romantic age. This book history was, of course, not the same history of print that we associate today with the names of Robert Darnton, Elizabeth Eisenstein, or Roger Chartier, which is o
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Maryke van Staden,Francesco Muscoiented antagonists has at times distracted us from the complexity and force of the tensions which structured debates . the latter category. This oversight is crucial because the emergence of modern ideals of authorship was less a matter of the victory of one of these definitions over the rest than t
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The Emergence of Entrepreneurship Policyforever’. But what is it one loves when in love with ‘the book’? Derrida himself (deconstructively enough) does not quite know: ‘The word . is as difficult to define as the question of the book, at least if the wish is to grant it a sharp specificity, and to cut it out in its irreducibility, at the
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Local Heroes in the Global Villagencerned the difficulties of transmitting the ., the art of rejuvenation, that the Major required in order to remain vital and youthful for his niece who, in a typical Goethean fantasy, had fallen in love with him. ‘The Man of Fifty’ had initially appeared in part in 1817 in Cotta’s., and it was a st
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