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Titlebook: Bollywood and its Other(s); Towards New Configur Vikrant Kishore,Amit Sarwal,Parichay Patra Book 2014 Palgrave Macmillan, a division of Mac

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发表于 2025-3-21 18:07:36 | 显示全部楼层 |阅读模式
期刊全称Bollywood and its Other(s)
期刊简称Towards New Configur
影响因子2023Vikrant Kishore,Amit Sarwal,Parichay Patra
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图书封面Titlebook: Bollywood and its Other(s); Towards New Configur Vikrant Kishore,Amit Sarwal,Parichay Patra Book 2014 Palgrave Macmillan, a division of Mac
影响因子How do we define the globalized cinema and media cultures of Bollywood in an age when it has become part of the cultural diplomacy of an emerging superpower? Bollywood and Its Other(s) explores the aesthetic-philosophical questions of the other through, for example, discussions on Indian diaspora‘s negotiations with national identity.
Pindex Book 2014
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Rechnergesteuertes Simulationssystem,nd . (2003). Myopically acknowledged only as a change in the linguistic character of Bollywood, as manifested in its portmanteau name ‘Hinglish’, this transfiguration was often considered lusterless and sans consequences, or another addition to the long list of names representing a blend of English and Hindi:
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https://doi.org/10.1057/9781137426505Bollywood; Hindi popular cinema; Self; Other; Alternative cinema; Diaspora; Vamps; Marginal sexualities; Gen
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Palgrave Macmillan, a division of Macmillan Publishers Limited 2014
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https://doi.org/10.1007/978-3-658-22974-0 Nishan I. . Nishan I, . Nishan I. Nishan I .
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Death Becomes Her: Bombay Cinema, Nation and Kashmir Nishan I. . Nishan I, . Nishan I. Nishan I .
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Innere lichtelektrische Wirkung in Gasen,sons differ considerably on its usage. Bollywood refers to the globalized cinema and media cultures of the industry located in Bombay (now Mumbai), and it is associated with the economic l iberalization of the 1990s and some subsequent corollaries. Bombay cinema in the pre-liberalization era is refe
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Lichtelektrische Zellen und ihre Anwendungealities of cinema as a whole. My primary concern with this book—and my argument in it—is topical: the concept of an ever-permeating ‘other’, cinema or otherwise, moderates my occasional dabbling with continental philosophy, and the current anthology deals with otherization as a central theme. I am
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