Titlebook: Body, Meaning, Healing; Thomas J. Csordas Book 2002 Palgrave Macmillan, a division of Nature America Inc. 2002 anthropology.biological.eno

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,Die Kontraposition Kunst — Kitsch,ylor (Zempleni 1985). The Navajo ethnomedical system, one of the most extensively studied, is known to be particularly concerned with the determination and elimination of causes of illness. Two features of the Navajo literature are of relevance for the present argument. First, within the Navajo syst

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,Die Kontraposition Kunst — Kitsch,e and self, and therefore a valuable starting point for their analysis. In this chapter I will focus on two issues that must be clarified in advancing a cultural phenomenology that begins with embodiment, or if you will, two issues that, unclarified, could become limbs in the embodiment of a straw m

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https://doi.org/10.1007/978-3-322-81301-5 is “good to think,” but as a subject that is “necessary to be.” To argue by analogy, a phenomenological paradigm of embodiment can be offered as an equivalent, and complement, to the semiotic paradigm of culture as text. Much as Roland Barthes (1986) draws a distinction between the work and the tex

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A Handmaid’s Tale, they are rituals aimed at the healing of a particular cultural construction of grief and guilt predicated upon a particular ethnopsycholog of the person. I will first present the North American ritual and ther contrast it with a parallel ritual in contemporary Japan.

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Introductionhryn Kuhlmann ply their prayers across the airways. Something of the lilt and cadence of their language, something of their invocation of divine power and compassion, something of the pain and exultation of their ardent audiences, something of the difference of all this from anything I knew in my ow