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Titlebook: Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin; Juli A. Kroll Book 2022 The Editor(s) (if applicable) and The Author

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发表于 2025-3-21 19:05:28 | 显示全部楼层 |阅读模式
期刊全称Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin
影响因子2023Juli A. Kroll
视频video
发行地址Analyses the body in lesbian, feminist, intersex and transgender Latin American.Argues that lesbian, feminist, intersex and transgender Latin American cinema since 2001.Examines shared strategies of r
学科分类Palgrave Studies in (Re)Presenting Gender
图书封面Titlebook: Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin;  Juli A. Kroll Book 2022 The Editor(s) (if applicable) and The Author
影响因子.Insurgent Skin: Body, Gender, and Sexuality in Latin American Cinema argues that twenty-first century Latin American cinema about lesbian, feminist, intersex, and transgender themes is revolutionary because it disrupts heteronormative and binary representation and explores new, queer signifying modes..Grounded in feminist and queer theory, Insurgent Skin conjugates film phenomenology and theories of affect and embodiment to analyze a spectrum of Latin American films..The first chapters explore queer signifying in Argentinean director Lucrecia Martel’s Salta trilogy and the lesbian utopia of Albertina Carri’s Las hijas del fuego (2018). Next, the book discusses the female body as uncanny absence in Tatiana Huezo’s documentary Tempestad (2016), a film about gendered violence in Mexico. Chapter Five focuses on intersex films and the establishing of queer solidarity and an intersex gaze. The last chapter examines transgender embodiment in the Chilean film Una mujer fantástica (2017) and Brazilian documentary Bixa Travesty (2018)..
Pindex Book 2022
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发表于 2025-3-21 22:43:02 | 显示全部楼层
2662-9364 n American cinema since 2001.Examines shared strategies of r.Insurgent Skin: Body, Gender, and Sexuality in Latin American Cinema argues that twenty-first century Latin American cinema about lesbian, feminist, intersex, and transgender themes is revolutionary because it disrupts heteronormative and
发表于 2025-3-22 01:32:52 | 显示全部楼层
Topics in Language and Linguisticsication, and envisioning utopian space and time for embodying pleasure outside of heteronormative space-time. Within this queer time and space, a relationship to the viewer develops that implicates looking, replicates the gaze diegetically, and multiplies and disperses it.
发表于 2025-3-22 08:29:06 | 显示全部楼层
,The Lesbian Utopia of Albertina Carri’s , (2018),ication, and envisioning utopian space and time for embodying pleasure outside of heteronormative space-time. Within this queer time and space, a relationship to the viewer develops that implicates looking, replicates the gaze diegetically, and multiplies and disperses it.
发表于 2025-3-22 08:57:02 | 显示全部楼层
Book 20226), a film about gendered violence in Mexico. Chapter Five focuses on intersex films and the establishing of queer solidarity and an intersex gaze. The last chapter examines transgender embodiment in the Chilean film Una mujer fantástica (2017) and Brazilian documentary Bixa Travesty (2018)..
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978-3-030-84560-5The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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