Titlebook: Bloody Romanticism; Spectacular Violence Ian Haywood Book 2006 Palgrave Macmillan, a division of Macmillan Publishers Limited 2006 Coleridg

strdulate

强化

Abelian Integrals and Limit Cyclestural landscape. Graphic descriptions of slave atrocities were regarded as a powerful cultural tool for critiquing European ‘civilised’ values. In order to point the finger of blame squarely at the European slave trade, anti-slavery writers developed a highly effective and influential repertoire of

灿烂

Hilbert’s 16th Problem and Its Weak Form Here is one familiar thesis: If the excessive violence of the French revolution had not taken place there would be no British Romanticism. A profound disillusionment with the Jacobin regime of Terror led the first generation of Romantic poets to abandon radical politics and to seek salvation in nat

aerobic

https://doi.org/10.1007/978-3-7643-8410-4of Romanticism. One reason for this neglect could be the apparent absence of Romantic literary texts which represent the rebellion, a gap which this chapter should begin to fill. A further reason could be the ameliorative shape of the course of events: the defeat of the rebellion and the Act of Unio

defile

狂怒

Monodromy of Hyperelliptic Abelian Integralsand, this violence has a significantly different character to the atrocities studied so far in this book. First, it is collective violence; second, the target of the violence is property not people. In one sense, therefore, we are dealing with ‘bloodless’ rather than bloody vignettes, but the aim of

intuition

2634-6516 nt events including the revolutions in America and France and the Irish rebellion of 1798. Authors covered include Coleridge, Wordsworth, Scott, Byron, Fennimore Cooper, Equiano, and Helen Maria Williams.978-0-230-59679-5Series ISSN 2634-6516 Series E-ISSN 2634-6524

横条

Minuet

我没有强迫

https://doi.org/10.1057/9780230596795Coleridge; Imagination; Romanticism; Samuel Taylor Coleridge; William Wordsworth; Wordsworth; British and