Titlebook: Blake‘s Night Thoughts; Jeremy Tambling Book 2005 Palgrave Macmillan, a division of Macmillan Publishers Limited 2005 lyric.poet.poetry.Wi

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https://doi.org/10.1057/9780230505612lyric; poet; poetry; William Blake; British and Irish Literature

Blood-Vessels

978-1-349-52166-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2005

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LUT

,‘Forests of the Night’: Blake and Madness,ive springing from Energy’ must be preferable to that (and gender-considerations might give priority to the active). The religious equate evil with Hell, but the next passage, being called ‘The voice of the Devil’, asks, implicitly, who spoke earlier? The Devil’s? But he cannot have the right answers, since he is inside the system he describes:

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,Dante’s ‘Deep and Woody Way’,Blake and his wife existed in (. 564–7, . 393). Here he worked — ‘too much attach’d to Dante to think of much else’ (letter to Linnell, 25 April 1827, E. 784, K. 879) — until his body, ‘the Machine’ (E. 778, K. 873), as though it, like the tyger, was part of an industrial manufacturing process, proved ‘incapable’ in August 1827.

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古代

ught and of thought based on concepts of identity, the book reads the lyric poetry, some Prophetic works, including a chapter on The Four Zoas , the illustrations to Young, and Dante, and look‘s at Blake‘s writing of madness.978-1-349-52166-1978-0-230-50561-2

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-century, urbanism in the nineteenth and Levinas and Blanchot‘s writings in the twentieth. Taking ‘night‘ as the breakdown of rational progressive thought and of thought based on concepts of identity, the book reads the lyric poetry, some Prophetic works, including a chapter on The Four Zoas , the i