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Titlebook: Blake‘s Drama; Theatre, Performance Diane Piccitto Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited 2014 drama.John

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期刊全称Blake‘s Drama
期刊简称Theatre, Performance
影响因子2023Diane Piccitto
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图书封面Titlebook: Blake‘s Drama; Theatre, Performance Diane Piccitto Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited 2014 drama.John
影响因子Blake‘s Drama challenges conventional views of William Blake‘s multimedia work by reinterpreting it as theatrical performance. Viewed in its dramatic contexts, this art form is shown to provoke an active spectatorship and to depict identity as paradoxically essential and constructed, revealing Blake‘s investments in drama, action, and the body.
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dramatic contexts, this art form is shown to provoke an active spectatorship and to depict identity as paradoxically essential and constructed, revealing Blake‘s investments in drama, action, and the body.978-1-349-47810-1978-1-137-37801-9
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Hypoplastisches Linksherzsyndrom,s most familiar paintings . (c.1819–20). This creature — based on one of his visions and representing men who were in their human lives ‘blood-thirsty’ (. 492) — stands in a performance space. In an article in ., Jonathan Jones says, ‘Blake’s flea is evil, gothic, grotesque, stalking through a starr
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,Linksventrikuläre Ausflusstraktobstruktion,ting by the same name.. This commentary explores vision, reality, perception, artistic representation, and mediation. Blake writes, ‘If the Spectator could Enter into these Images in his Imagination approaching them on the Fiery Chariot of his Contemplative Thought […] then would he meet the Lord in
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Fetale und neonatale Physiologie, present[ing], ideally, a unified vision of the three major arts to the individual as musical drama’ (186). Extending Frye’s observation, W. J. T. Mitchell states, ‘If we meditate a little further on the dramatic unity of Blake’s design we notice that this is not the unity of a realistic theatrical
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