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Titlebook: Blake, Nation and Empire; Steve Clark (Teaches),David Worrall (Professor and Book 2006 Palgrave Macmillan, a division of Macmillan Publish

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Thel in Africa: William Blake and the Post-Colonial; Post-Swedenborgian Female Subject,’s problematization of women’s suitability for this specific colony in Sierra Leone.. To contemporary historians of Africa and slavery, the Sierra Leone colony as eventually founded by the Sierra Leone Company was highly regarded ideologically and recognized as an equivalent to the seventeenth centu
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The Matter of Britain: Blake, Milton and the Ancient Britons,ticularly with regard to one source for Blake’s strange history of Britain, in particular as it appears in .: Milton’s . was written during the late 1640s and published in 1670 and, as the chronicle of Albion became more important to Blake’s soteriological history of mankind, was a significant text
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Blake after Blake: A Nation Discovers Genius,. (1806); a review, albeit nasty, by Robert Hunt in the . (1809) and another, albeit in German, by Henry Crabb Robinson (1811); at least seven obituary notices; 34 pages in Joseph Smith’s . (1828; 2nd edition 1829); 46 pages in Allan Cunningham’s . (1830; republished 1831, 1837, 1839, 1842, 1844, 18
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Immortal Joy: William Blake and the Cultural Politics of Empire,slip into the exoticizing political aesthetic that would enable and justify imperial conquest, it was a matter of some urgency to be able to think of the foreign without resorting to (or sliding into) the language and figures of exoticism. What I want to suggest in this essay is that Blake drew on a
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Thel in Africa: William Blake and the Post-Colonial; Post-Swedenborgian Female Subject, constituted as a specific refusal of Swedenborg’s doctrine of conjugal love, a subject of great topicality to contemporary Swedenborgians who at that time were proposing to establish an African colony based on its principles.. In other words, . structure, which is constructed around a narrative of
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