Titlebook: Blake and Modern Literature; Edward Larrissy Book 2006 Palgrave Macmillan, a division of Macmillan Publishers Limited 2006 English literat

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,Joyce Cary: Getting it from the Horse’s Mouth,the world as seen by an artist.’. It is interesting to note that he refers to the ‘two volumes of the Ellis edition’, for this must mean the three-volume edition by Edwin Ellis and Cary’s fellow Anglo-Irishman, W. B. Yeats. This means that Cary was familiar with a reading of Blake informed by esoter

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Postmodern Myths and Lies: Iain Sinclair and Angela Carter,hich appeared to be posited by a poem of Thom Gunn or Donald Davie. Indeed, a curious and little-remarked feature of Alvarez’s anthology is the extent to which even in its second edition, with its suggestive division between British and American poetry, it remained the best readily-available selecti

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Faktoren, die den Unterschied ausmachen, the Matter of Britain, yield a direct comparison with Jones: Jones’s work privileges the Matter of Britain even more obviously, especially in its intersection with ‘Romanitas’. For while it was providential that the witness of Christ could be spread through the medium of the Roman Empire, the Grail

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,Ständige Bewegung im Kristallgitter,ching on Wordsworth, Coleridge and Gothic fiction. It also includes a theoretical essay by Paul Hamilton which traces the ancestry of postmodernist ‘indeterminacy’ back to the concept of the sublime: associating the poetics of the sublime with the fashion for pantheism, Hamilton notes that ‘the moni