找回密码
 To register

QQ登录

只需一步,快速开始

扫一扫,访问微社区

Titlebook: Blake 2.0; William Blake in Twe Steve Clark (Visiting Professor),Tristanne Connoll Book 2012 Palgrave Macmillan, a division of Macmillan Pu

[复制链接]
查看: 15367|回复: 51
发表于 2025-3-21 19:37:07 | 显示全部楼层 |阅读模式
期刊全称Blake 2.0
期刊简称William Blake in Twe
影响因子2023Steve Clark (Visiting Professor),Tristanne Connoll
视频video
图书封面Titlebook: Blake 2.0; William Blake in Twe Steve Clark (Visiting Professor),Tristanne Connoll Book 2012 Palgrave Macmillan, a division of Macmillan Pu
影响因子Blake said of his works, ‘Tho‘ I call them Mine I know they are not Mine‘. So who owns Blake? Blake has always been more than words on a page. This volume takes Blake 2.0 as an interactive concept, examining digital dissemination of his works and reinvention by artists, writers, musicians, and filmmakers across a variety of twentieth-century media.
Pindex Book 2012
The information of publication is updating

书目名称Blake 2.0影响因子(影响力)




书目名称Blake 2.0影响因子(影响力)学科排名




书目名称Blake 2.0网络公开度




书目名称Blake 2.0网络公开度学科排名




书目名称Blake 2.0被引频次




书目名称Blake 2.0被引频次学科排名




书目名称Blake 2.0年度引用




书目名称Blake 2.0年度引用学科排名




书目名称Blake 2.0读者反馈




书目名称Blake 2.0读者反馈学科排名




单选投票, 共有 1 人参与投票
 

0票 0.00%

Perfect with Aesthetics

 

0票 0.00%

Better Implies Difficulty

 

1票 100.00%

Good and Satisfactory

 

0票 0.00%

Adverse Performance

 

0票 0.00%

Disdainful Garbage

您所在的用户组没有投票权限
发表于 2025-3-21 20:54:48 | 显示全部楼层
https://doi.org/10.1007/978-3-658-05436-6n Huston such as . (1951) — to see such critical re-evaluations of specific genres, such as the western, from the 1950s onwards, with movies from the period of the Korean war being increasingly infused with Cold War anxieties (de Bona 57–8).
发表于 2025-3-22 01:41:16 | 显示全部楼层
https://doi.org/10.1007/978-3-658-05436-6en word piece, ., Moore follows Blake on a spiritual journey, ‘out of light and into history’, and references to Blake, the four-fold city, and Jerusalem also appear in an earlier performance, .. A pictorial biography of Blake will feature in the forthcoming ..
发表于 2025-3-22 08:19:47 | 显示全部楼层
发表于 2025-3-22 08:48:11 | 显示全部楼层
发表于 2025-3-22 14:28:47 | 显示全部楼层
发表于 2025-3-22 19:37:22 | 显示全部楼层
e. This volume takes Blake 2.0 as an interactive concept, examining digital dissemination of his works and reinvention by artists, writers, musicians, and filmmakers across a variety of twentieth-century media.978-0-230-36668-8
发表于 2025-3-22 23:12:49 | 显示全部楼层
Vicki Harman,Benedetta Cappellinilegacy in their art or literature, Blake scholars have been more reluctant to admit the same, or even to recognize any affinities whatsoever between Blake and Surrealism.. In view of this discrepancy, this chapter aims to trace the Surrealists’ use of Blake’s art, and Surrealism’s oddly neglected yet long-lasting counter-impact on Blake studies.
发表于 2025-3-23 04:08:27 | 显示全部楼层
发表于 2025-3-23 08:53:54 | 显示全部楼层
Leisure and the Informal Economyst, Blake’ (. 322). But why Blake? And why the 1960s and 1970s? Given his modest early reputation, why should Blake, more than 130 years after his death, become so prominent in the popular imagination that he was able to rub shoulders with Lao-tse, Christ, Marx, and indeed a host of other luminaries?
 关于派博传思  派博传思旗下网站  友情链接
派博传思介绍 公司地理位置 论文服务流程 影响因子官网 SITEMAP 大讲堂 北京大学 Oxford Uni. Harvard Uni.
发展历史沿革 期刊点评 投稿经验总结 SCIENCEGARD IMPACTFACTOR 派博系数 清华大学 Yale Uni. Stanford Uni.
|Archiver|手机版|小黑屋| 派博传思国际 ( 京公网安备110108008328) GMT+8, 2025-6-10 03:56
Copyright © 2001-2015 派博传思   京公网安备110108008328 版权所有 All rights reserved
快速回复 返回顶部 返回列表