Titlebook: Blackness Without Ethnicity; Constructing Race in Livio Sansone Book 2003 Palgrave Macmillan, a division of Nature America Inc. 2003 childr

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An Afro-Latin Paradox?,rd of outside the academic world. In somewhat surprisingly large numbers, students flocked to hear me talking about the growing relevance of ethnicity in Europe. They were attracted, I believe, more by the relative novelty of the topic than by my unimpressive exposé in scant Portuguese on the increa

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A Contested Icon,sulted from the interplay and struggle between white intellectuals and black leadership, popular and elite culture, conformity and protest, and political ideas developed in the West and their reinterpretation in Latin America. That is, Africa in Brazil has been largely the product of the system of r

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https://doi.org/10.1007/978-3-8349-9219-2rd of outside the academic world. In somewhat surprisingly large numbers, students flocked to hear me talking about the growing relevance of ethnicity in Europe. They were attracted, I believe, more by the relative novelty of the topic than by my unimpressive exposé in scant Portuguese on the increa

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An Afro-Latin Paradox?,zilian music, literature, and cinema had been incorporated into our Italian panoramic view of Latin America, which we viewed as an amplified and even “exaggerated” version of southern Europe. In our imagination, good things were better and bad things were worse in Brazil. The good things had to do w

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,“Glocal” Funk in Bahia and in Rio,generational difference, and how in many occasions they relate closely to other key factors: styles and the economics of popular music. In analyzing an important phenomenon in the vast periphery of global youth culture—that is, the massive popularity of funk dance clubs in Rio de Janeiro and Salvado